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The Music Hall Strike of 1907 was a theatrical dispute which took place between music hall employees, stage artistes and London theatre proprietors.〔(''Music Hall Strike of 1907'' (Theatre Museum London) ) accessed 14 July 2013〕 The catalyst for the strikes were the employees lack of pay, the scrapping of perks, and an increase in working hours, and matinée performances. The strike commenced on 22 January 1907 at the Holborn Empire in London and lasted for two weeks. The dispute gained momentum owing to the support from popular entertainers including Marie Dainton, Marie Lloyd, Arthur Roberts, Joe Elvin and Gus Elen,〔"Music Hall War", ''Manchester Courier and Lancashire General Advertiser'', 5 February 1907, p. 8〕 all of whom were active on picket lines outside both London and provincial theatres. The strikes ended two weeks later and resulted in a rise in pay and better working conditions for both stage workers and artistes.〔"Music Hall War Ended", ''Hull Daily Mail'', 9 November 1907, p. 4〕 ==Pre-strike years== Music hall entertainment originated in the plethora of London taverns and coffee houses of 18th century. The atmosphere within the venues appealed mainly to working class men〔Davis & Emeljanow, p. x.〕 who ate, drank alcohol and initiated illicit business deals together. They were entertained by performers who sang songs whilst the audience socialised. By the 1830s publicans designated specific rooms for patrons to go where they formed musical groups. The meetings culminated in a Saturday evening presentation of the week's rehearsals. The meetings became popular and increased in number to two or three times a week.〔("The Story of Music Hall" ), Victoria and Albert Museum, accessed 5 June 2014.〕 Music hall entertainment received its first surge in popularity during the 1860s〔("A Brief History of the Music Hall" ), Windyridge Music Hall CDs, accessed 5 June 2014.〕 the audiences of which consisted of mainly working class people.〔 The impresario Charles Morton actively invited women into his music hall, believing that they had a "civilising influence on the men".〔 The surge in popularity further attracted female performers and by the 1860s, it had become common place for women to appear in the halls.〔 By 1875 there were 375 music halls in London〔 with a further 384 in the rest of England. In-line with the increased number of venues, proprietors enlisted a catering workforce who would supply food and alcohol to patrons. In London, and to capitalise on the increasing public demand, some entertainers frequently appeared at several halls each night. As a result, the performers became popular, not only in London, but in the English provinces.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Music Hall Strike of 1907」の詳細全文を読む スポンサード リンク
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